Extracts from reviews of past performances: (For photos, click here)

". . . promising young baritone Edmund Connolly taking over the role of Guglielmo . . ."

- Serena Fenwick, (Musical Pointers) on Opera UK's School for Lovers

"Edmund Connolly had the perfect figure and poise for the disdainful, world-weary Onegin and sang with authority and clarity, bringing an elegant sophistication..."

 - Christopher Morley, (Birmingham Post) on Birmingham Chamber Orchestra's Eugene Onegin

"In the title role and scarlet frock coat, Edmund Connolly looked every inch the dashing nobleman ready to sweep every woman in sight off her feet. He is an intelligent young singer [. . .] he managed to convey rather more than a hint of how his interpretation is likely to grow"

- Serena Fenwick, (Musical Pointers) on Pavilion Opera's Don Giovanni

"Highlights of the evening were [. . .] the lively appearance of Edmund Connolly as Wagner (I look forward to seeing him in a larger role)."

 - Haslemere Herald on Opera South's Faust

"Edmund Connolly was a fine Wagner cameo."

 - Rodney Dunnet, (Opera Now) on Opera South's Faust

". . . there are strong performances too from [. . .] Edmund Connolly's Harasta . . ."

 - Erica Jeal, (The Guardian) on BYO's Cunning Little Vixen

"Vocally, British Youth Opera has always been capable of astute casting and that was the case here too [. . .] More than noteworthy were [. . .] Edmund Connolly's Harasta . . ."

 - Marc Bridle, (Seen and Heard) on BYO's Cunning Little Vixen